This first movement is all piano and percussion madness, and, as the Kap said later, “That was actually much harder than I thought it would be.” They were doing amazing work, but the Kap decided to shift the tempo up very slightly for the last third of the first movement, and this eventually sent the recording booth into a technical tail-spin, and suddenly it was taking 5 minutes to begin a take in an unusual place.—that sort of thing. AND, they have TWITTER VIDEOS from his iPhone! (Accidentally held portrait-style instead of landscape-style, so, DISORIENTING:)
Friday, August 28, 2009
Double Sextet Recording Sessions UPDATE
I'm sorry to keep posting on this same subject but this is seriously like porn for me you guys. (It's kind of sad, in a way.) Check out this highly revealing blogpost from blackbird Tim Munro, very technical, very candid—
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The Bodies Keep the Score
Another summer festival review for Parterre ! This time, Matthew Aucoin's Music for New Bodies, at Lincoln Center.
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First! Everybody buy the new Kronos Quartet CD, which has liner notes by one of my favorite Gregs. The Nonesuch.com store has it on sale, ...
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Opera is an anachronism. It was an anachronism from the moment it was invented—wasn't it?—the last gasp of the neoclassical tendencies ...
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