The series is intended for professional musicians as well as light computer music users. The programmed vocals are designed to sound like an idol singer from the future. According to Crypton, because professional singers refused to provide singing data, in fear that the software might create their singing voice's clones, Crypton changed their focus from imitating certain singers to creating characteristic vocals.Understandable. (An idol singer! From the future! Awesome.) But this means that the technology is not here quite yet which would allow me to generate a synthetic battalion of Elisabeths Schwarzkopf...? Hey, let's work on that, Yamaha, shall we?
Tuesday, September 16, 2008
Live from the Uncanny Valley
(Thanks to loyal reader Brett for this one.) There are a bunch of YouTube videos of the Vocaloid software singing Bach arias and chorales, but this duet from BWV 78 works much better than, say, the opening chorus of the St. Matthew Passion. The "choral" effect blunts the creepiness of Hatsune Miku's weird diction by making it sound sort of endearingly cheesy, a la Wendy Carlos's "Ode to Joy"—whereas these twins' goopy melismas are just real enough to be super disturbing.
According to Wikipedia:
Subscribe to:
Post Comments (Atom)
The Bodies Keep the Score
Another summer festival review for Parterre ! This time, Matthew Aucoin's Music for New Bodies, at Lincoln Center.
-
First! Everybody buy the new Kronos Quartet CD, which has liner notes by one of my favorite Gregs. The Nonesuch.com store has it on sale, ...
-
Opera is an anachronism. It was an anachronism from the moment it was invented—wasn't it?—the last gasp of the neoclassical tendencies ...
4 comments:
Creepy.......yes, creepy is the best word to use.
best ever. completely made my day. perfect metaphor for how bizarre this day in general has been.
How 'American Idol' Uses (and abuses) Melisma, NPR, January 11, 2007
http://www.npr.org/templates/story/story.php?storyId=6791133
Post a Comment