Saturday, March 21, 2009
ALTVIOOL KAPOT
The Failblog keeps on givin', folks (this time via Collaborative Piano). You'll recognize the hapless violist as our hero Yuri Bashmet—I'm not sure what piece that is; the comments section here tells us it's the "Concerto-Poeme" by Roman Medneyev (see update below), but I can't find any information on a composer by that name. The instrument, we're told, is a 1758 Testore.
I'm sure it's fine now.
UPDATE: I think the piece is the Poema (or "Concert-Poem") by Roman Ledenev, Op. 13. There don't seem to be any recordings available, besides an old Melodiya LP.
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The Bodies Keep the Score
Another summer festival review for Parterre ! This time, Matthew Aucoin's Music for New Bodies, at Lincoln Center.
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First! Everybody buy the new Kronos Quartet CD, which has liner notes by one of my favorite Gregs. The Nonesuch.com store has it on sale, ...
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Opera is an anachronism. It was an anachronism from the moment it was invented—wasn't it?—the last gasp of the neoclassical tendencies ...
1 comment:
The hair on that woman behind him is just unreal.
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